Shankar Jaikishan Expressions – 2 – Non- Lata Mangeshkar Duets

Funny I read actor and former VJ Rahul Khanna’s fabuloulsy written post on encountering a cockroach just at the time when I am these days faced with similar problems – albeit involving a completely different species. Rahul’s tryst with a cockroach is funnily narrated. But my daily face-to-face with lizards hardly tickles my funny bones.

My enemies are not the cockroaches; I can bear them, buy information pills medicine and they look pretty mild, patient as compared to the animal that seems to be here, there and everywhere in my house – the lizard. When the mercury soared this month, I had to open the windows and doors; else I’d have died of suffocation and heat. But instead of any cool relief, all I got were these creepy crawly things running over the walls, and sometimes on the floors.

I have a total lizard-phobia; so much so that my heart stops whenever I see one in my room. It’s something from childhood, or probably inherited from my mother, who has an exponentially higher quantum of fear towards the reptile. When we lived in Delhi’s R.K.Puram a neighborhood lady once came up with a solid black mark on her cheek. “A lizard walked and pee ‘ed on it,” she explained ever so casually to my utmost horror, even as I struggled to catch my dropped jaw and dropped heartbeat. Whether she meant it as some perverse joke or no, but that night I barely slept, digging further into the flimsy sheet I had wrapped myself in. Then, there was a movie where a lizard jumps into the kheer. Lately, at Jim Corbett National Park, two passionate lizards – either fighting or making love, I didn’t bother to ask them – made a dive onto the bed with a repulsive plop; I stood watching aghast in a shocked stupor.

At home, my father is the lizard-catcher. I often look at him in awe as he goes about ‘the mission’ , doping the animal with an insect spray, picking it up between two brooms and throwing it out of the house all this, while I peep stealthily from a respectable distance! I tried doing this in Nepal (and here too) but the very sight of a live lizard wriggling at the end of the brooms is enough to freeze the blood in my veins!

It’s ok when the reptile stays within its bound territories far up the wall, in the drawing room. But when it assumes the role of a conqueror (or rather a CEO of an expanding company) surveying its territory and increasing its base, my own animal instincts valiantly arise and I have to protect my terrain (read my bedroom and bathroom!)

Now, I simply call a friend when I find the menace rising a bit too much out of control. Last week, he was here to do the cleaning up job, and I watched with amusement as he directed two perky lizards out of the drawing room with the tip of a broom – all along I jumped and pranced, like those extras behind a hero in a film song, and offered much sound, but no help!

Rahul gives a philosophical twist to his tale of the pesky cockroach:

I’m a firm believer in non-violence but I m also aware that we all have limits we can be pushed to. I have often wondered if driven to it, could I kill?

Frankly, I never gave it this deep a thought. But when I see the thing rushing all across the wall, I am sometimes ready to murder, though I don’t think I will be able to really give result to such a thought ever. Yes, it’s murder on my mind, but it simply remains there rather than transferring it into my hands. I don’t want a Lady Macbeth-ish guilt in my hands. Plus, a dead lizard’s sight is worse than a living one!

My moot question – when there are sprays and other assorted means to wipe out a mosquito or a cockroach (even a rat), why hasn’t anyone invented any such easy device to repel a lizard? My ideal would be some sort of a machine that I put on, and they miraculously disappear – no running after them, no dead bodies to account for!

I accept they are part of the grand food-chain and have an important place but can they (and their food, the mosquitoes) please do this great ecological cause out of the confines of my home?

Related Reading – Nocturnal Sounds – The Initial Nights in Kathmandu
A Snake In My House

Jaipur impressed me. While driving on the University Road leading up to Hotel Clarks Amer, seek it gave a feel of a mid-Eastern city (Dubai or Doha) replete with gigantic grunting construction machines peeping out of neatly-defined very foreign-looking boundaries ( I guess a World Trade Center is getting built there). The smooth wide road dotted with street lights (that actually worked) and lined by steel-and-glass architecture gave a very international feel. For me, this Jaipur is an old halt – I have visited it several times, done all the touristy things and even once got my car accidented. But it’s the first time I felt that the city has actually progressed well. Compared to Agra (the other angle in North India’s Golden Triangle), it came off as the bigger, neater and more responsible cousin. However, the drive to Jaipur didn’t offer anything smooth as this portion of the axis is still under construction – perhaps a couple of years down the line, Agra-Jaipur Highway will give stiff competition to the current Delhi-Jaipur one.

Chokhi Dhani

Chokhi Dhaani is an ethnic village resort, on the outskirts of Jaipur, on Tonk Road. The place is extremely well built, presenting five-star rooms albeit inside ‘huts’, imparting it a rural touch. The entire place is in brown and ochre, the color of mud! ‘The Village’ inside the resort is a happening place. Even though I have stayed at the resort sometime circa 2001, memories had somewhat dimmed.

‘The Village’ has all the trappings one finds in an actual one, though of course, the setting is suitably sanitized. The ambience is feral and festive. There are several rides – elephants, camels, bullock carts and merry-go-rounds (typically wooden as found in rural fairs). You can try your luck and aim at the various ‘game stalls’ – shooting off balloons with air-rifles, or throwing darts and even using an exotic bow-and-arrow. Lose yourself in the mud labyrinth, and once you find the way out, play human ‘snakes and ladders’ with a large cloth-dice and your own selves as the counters. Alternatively, loose your wallet at the mini-shopping arcade selling local ethnic-ware.

To refresh, you can just watch the colorful ladies dancing to folk music, or better witness the flexible steps of little artistes (who’d move from the folk to the film music, depending on your interest).

The village’s further section is the most interesting. There you can taste a traditional hookah, and once high, dance with the ‘tribals’ to the beats of a huge drum placed atop a machaan. It truly brings out your inner wild spirit as you dance holding a stick atop your head in your hand, with your feet raking up the sand in a feral cloud. Climb the machan, and you can even beat the gargantuan drum with the sticks! Feeling naughty? Click yourself with a life-like statue of a traditional lady in bright Rajastani dress (complete with the veil). A little distance ahead is a ‘cave’ carved inside an artificial hill. Dark and deep, the end will surprise you as a ‘tantrik’ sits, enveloped in smoke from a fire that burns. (The fire is real, the ‘tantrik’ is a larger-than-life statue).

Tired? Return to the village square (or ‘chaupal‘), set up for those who need some rest. It’s filled with khaats (jute cots), and some cemented seats filled with thick mattresses and oblong pillows (the kind that the royalties used), under a thick banyan tree. Nearby, you can view the ‘puppet show’ and some meters away the henna girl applies the deep mehdi on the women-folk. Food is aplenty – from the syrupy ice-candies to the spicy jaljeera to the cool kulfi (ethnic ice-cream made of thickened milk) to the chatpati chaats.

If the village sojourn exhausts you, head back the tiny bridge to the main section of the resort to the Chandi Bar, and refresh yourself -no, not with some local spirit – but with the choicest brands available.

Related Reading – Rangeela Rajasthan


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Juneli tagged me (yet again!) and this time on a topic I am passionate about. But two small caveats a) Usually, prescription I don’t have ‘the’ favorite numbers; hence it is always a wide array of choices that I keep. So, side effects I will twist the rules in this tag; and b) lists like these keep changing; had I taken up this tag a year back the choices might have been vastly different; a year down the line, probably I might not agree with this list. So, these choices are for now, for this moment:

Your favorite lyricist and the lyrics you remember the most:

I am not too lyrics-oriented man, in the sense that I give preferance to the tune, the music, the interludes, the orchestra and the rendition. Hence, even a silly sounding Sunday ko bulaya (I Love You) finds a decent place in my collection!

Shailendra: He pioneered the use of simple Hindi in film music, without dissipating the weight of the thought or emotion he needed to express. His vast repertoire include such shimmering gems like the tongue-in-cheek Chhoti si hai duniya pahchaane raaste hain, the celebratory Aaj phir jeene ki tamanna hai, the philosophical Sajan re jhooth mat bolo, the sorrow-ful Ae mere dil kahiin aur chal, the pious Manmohan krishna murari, the titillating Ang lag ja baalma and the romantic Tum hi tum ho mere jeevan mein.


Hasrat Jaipuri: Shailendra’s lyricist-partner in majority of Shankar Jaikishan films, dipped his pen in the ink of sheer unadulterated romance to come up with such heart warmingly loving songs as Jiya beqaraar hai chhayi bahaar hai, Jiya ho jiya ho kuchh bol do, Ehsaan tera hoga mujhpe, Aye gulbadan phoolon ki mehak kaanton ki chuban, Dil ek mandir hai, Yeh mera prem patra padhkar, Ek ghar banaaoonga tere ghar ke saamne, Pankh hoti toh udd aati re and Tumne pukara aur hum chale aaye. His last most popular work was Sun sahiba sun in Ram Teri Ganga Maili, though he wrote quite a few indifferent pieces for his nephew (Anu Mallik) in the eighties.

Raja Mehndi Ali Khan: Madan Mohan’s beautiful compositions found a willing soul with Khan’s beautiful lyrics. Lag ja gale se phir yeh haseen raat ho na ho, Aap ki nazron ne samjha, Agar mujhse mohabbat hai and Aap kyun roye are some of his glittering works.

Rajinder Krishan: An underrated lyricist, he wrote for such hits like Aa jaane jaa (the stupendous cabaret number by Lata Mangeshkar!), Woh chup rahein toh mere dil ke daag jalte hain, Itna na mujhse tu pyaar badha ke main ek baadal aawara and that monumental number from SanjogWoh bhooli dastaan lo phir yaad aa gayi.

Anand Bakshi: The unparalleled, the unrivalled and the unsurpassed master of tukbandi , he could write a cabaret song or a bhajan at the snap of his fingers. His work with Laxmikant-Pyarelal might not win him many fans or accolades, but I simply love the way he impossibly rhymes the words- in fact, for him words were like naughty children whom he knew how to streamline in a sensible queue!

Gulzar: If Bakshi used rhymes, Gulzar broke it with abandon. And, his imagery can be from anything to everything the moon will be a balloon, the roads will be fast or tedious, relationships will hang precariously on life’s tree or the eyes will emit fragrance! Whether it is Urdu or Hindi or even English he can use any language to full-on effect. Personally, I feel his non-film album Dil Padosi Hai is criminally un-heard, and in that Rishte bante hain bade dheere se banne dete is outstanding!

Sayeed Quadri: A lesser known writer, who has written some splendid lyrics for Saaya, Paap, Jism, Rog and Murder.

Your favorite song on friendship:

None!

But I liked the music in Yeh dosti tujhse hai from the newer Dosti, though I found the lyrics extremely corny! I don’t mind Yeh dosti hum nahi todenge (Sholay), but cannot really say it is a favorite . In Desh Premee’s O bekhabar bedardi there is a lovely line Dena na yaaron yaari mein mauqa varna. Lastly, Dost dost na raha is awesome (especially it’s scintillating piano), except for the self-piteous aspect in it.

Best song portraying life’s emotion:

Zindagi pyaar ka geet (Souten) sung by Lata Mangeshkar, written by Saawan Kumar and composed by Usha Khanna is a great number underlining both the pain and celebration of life, without being heavy or overtly philosophical.

Other numbers I adore:- Zindagi ek safar hai suhaana (Andaz), Oh re taal mile nadi ke jal se (Anokhi Raat), Kisi ki muskurahaton pe (Anari) and Andhe jahaan ke andhe raaste jaayein to jaayein kahan (Patita)

Which song are you humming today?

Currently, I am listening to Tara Rum Pum and I am alternating between Ho agar koii gham toh and Saaiyan ve.

One song which brings tears to your eyes:

Music moves me tremendously. Often, even the complete song does not, a portion of orchestration or a line in between or simply the singing can have a strong impact. Sometimes, when I listen to Lata Mangeshkar s voice in her sad numbers, I am left speechless wondering from which depth does she pull out the shattering pain which hurtles itself onto the ears and from there the lava melts into the heart and the soul. Her single haaye can pack in several layers of despair and despondency for example in Toone haaye mere zakhme-jigar ko chhoo liya (Nagina), the haaye is the emphasised emotional fulcrum [even though it is toone ,which is architecturally stand-alone, on which the mukhda presides].

Woh bhooli dastaan lo phir yaad aa gayi from Sanjog is one such number. But there are more numbers that have the intensity to shaken up the heart Woh dekho jala ghar kisi ka (Anpadh), Raat andheri door savera barbaad hai dil mera (Aah) (those tight violins rub against your ribs and haunt you), Suno chhoti si gudia ki lambi kahaani (Seema) (the veena plucks not the instrument but your heart), Shikayat hai and Aawarapan (Jism), Iss dil ki haalat kya kahiye jo shaad bhi hai nashaad bhi hai (Anhonee), Kahan tak hum uthaaye gham (Aarzoo) Maine dil se kaha dhoondh laana khushi (Rog), Aaj socha toh aansoo bhar aayein (Hanste Zakham), Hum na samjhe the baat itni si (Gardish) and Kabhi humne nahi socha tha (Lalkaar), etc.

The desperation in Roj akeli aayi chaand katora liye bhikaran raat (Mere Apne) and the despondently sloshed Humko bhi gham ne maara (Aas Paas) leave a sorrowing hang-over.

A song which gives you hope, a reason to try again and again, a reason to say that life is beautiful

Recently, Ho agar koii gham toh bilkul na ghabrana (Tara Rum Pum) is a very motivational song which I heard. Other than this, Ae dil tujhe qasam hai tu himmat na haarna (Dulari) and Hans tu hardam khushiyan ya gham are nice.

When you want to be with yourself, silent and content but with music, which song would that be?

Any song sung by Lata Mangeshkar, preferably composed by Shankar Jaikishan or Madan Mohan!

If you have to express love with a song which would that be?

Pure expression of love- Humein tumse pyaar kitna yeh hum nahi jaante/magar jee nahi sakte tumhare bina (Kudrat)
Sentimental expression – Kabhi kabhi mere dil mein khayal aata hai (Kabhi Kabhi)
Seductive expression – Aaja re aa zara aa lehraake aa zara aa/aankhon se dil mein samaa/aa jaa re aa zara aa(Love In Tokyo)
Foot tapping expression – Juneli raat chha jun chha/ timi jawaani timro saath chha/haathan ma mero timro haath chha/sangeet ko ani meetho dhun chha/Maya ma aao haami naacho gaaoon, do you wanna dance tonite/kshitij ko jun jaste haamro milan/do you wanna hold me tight! (Non Film; Deepak Bajracharya)
Pure romance – Yeh raat bheegi bheegi (Chori Chori) or its counterpart Woh chaand muskaaya sitaare sharmaaye (Aakhri Dao)
Inspirational expression – Jeet jaayenge hum tu agar sang hai/zindagi har kadam ek nayi jang hai (Meri Jung)
Rebellious expression – Pyaar kiya toh darna kya (Mughal E Azam)

Five songs which you listen to the most:

Difficult to list, so I will follow what Juneli did – list five singers I listen to the most (in no particular order):

1. Lata Mangeshkar – The Fifties
2. Lata Mangeshkar – The Sixties
3. Lata Mangeshkar – The Seventies
4. Lata Mangeshkar – The Eighties
5. Lata Mangeshkar – The Nineties and The New Millenium

Mohd. Rafi, Mukesh, Udit Narayan, Alka Yagnik and Asha Bhonsle are others.

A song for the person who tagged you:

Since she hails from the mountain country and since I love Lata Mangeshkar’s voice the best I could do is to combine the two, and the song for her is the same that she gifted me: Timi laai laakh laakh vandana timi laai shubh kaamna (Maiti Ghar)

I want to tag

Leaving this open to all music lovers!


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Back to my favorite composers – Shankar Jaikishan! I have often stated that I love their music for the deeply intrinsic melody and their interludes which had polished finesse and clear tonal quality rarely heard in HFM. Two more aspects that I love in their music are:

a) Their beautiful use of counter melody the music that runs parallel to the antaras (best heard in the Mukesh number Teri yaad dil se bhulane chala hoon from Haryali Aur Rasta) or the music that rounds of a mukhda: for example, dosage Deewane ka naam to poochho (An Evening In Paris) cannot be hummed without the ta-ta-ta sound after every two words: deewane ka ta- ta- ta naam toh poochho ta- tat- a. I hope you understand!

b) Their music had an unusual richness; in the sense even their tabla or dholak was never alone, cheapest it always had an accompanying jhankar to it long before those horrid external ‘jhankar beats’ were devised.

Shankar Jaikishan worked for some 190 films (including Telugu movies and documentaries) and composed a spectacular 1348 songs, of which 334 were duets*. Selecting a few lovable duets (not in any particular order except as and when I recalled them), which do not feature Lata Didi but are nevertheless a pleasure to hear:

Dilruba dil pe tu yeh sitam kiye ja – Rajkumar – Exotic drums and erotic sighs make this one hot steamily scalding sensational song! Mohd. Rafi and Asha Bhonsle fantabulously modulate their voices.

Raat ke humsafar thak ke ghar ko chaleAn Evening in Paris – It is believed that Shankar composed the number immediately after cremating his mother, even offering the first line of the mukhda. Considering this, the song has a far deeper layer than what meets the eye and places it in a philosophical zone otherwise not seen in the ostensibly romantic situation. The interludes are something to hug tenderly!

Dil ek mandir hai pyaar ki jisme hoti hai poojaDil Ek Mandir – I grew up thinking it to be a Lata Mangeshkar song, but must say Suman Kalyanpur steps in effectively. The interludes haunt. Shankar Jaikishan at their best!

Tujhe dekha tujhe pooja bas itni khata hai meri aur khata kyaChhoti Si Mulaqat – It’s a quintessential Shankar Jaikishan song with lavish violins in the interlude.

Around the world in eight dollarsAround the World -A collosal and monumental ditty that is wide and panoramic, and covers the entire world in its ginormous size. The superb Shankar Jaikishan orchestration is to be heard to be believed.

Aap yahan aaye kis liye- Kal Aaj Aur Kal – Naughty and effervescent, young lovers Randhir Kapoor and Babita on screen upped the perk factor several notches.

Yehi hai woh saanjh aur saveraSaanjh Aur Savera -Awesome sitar pieces shapes this gentle number into a beauty. The rhythm is subtle and just perfect for a love song.

Ajhun aaye na baalma saawan beeta jaaye haaye – Saanjh Aur Savera -This classical and serious sounding song gets an unlikely picturisation on the then hit comedy pair Mehmood and Shobha Khote!

Mud mud ke na dekh – Shree 420– Hip and happening the song defies time and is still modern enough to shame any new ditty. The swing and the sway are unsurpassable.

Jaane chaman shola badan baahon mein aa jaao- Gumnaam – It’s unbelievable that the smooth voice is actually that of the otherwise shrill Sharda’s. Unlike Dilruba dil pe tu, this creates the steam in a mild and mellow manner. It has extremely sensuous interludes. Absolutely adorable, it raises warmth and love! The album is one of Shankar Jaikishan’s best ones.

Aaya na humko pyaar jataanaPehchan -If electronic gadgets have to be used, then Shankar Jaikishan knew it extremely well. A handsome duet by Mukesh and Suman Kalyanpur!

Nanhe munhe bachhe teri mutthi mein kya hai- Boot Polish -An inspiring and motivating number from the Shankar Jaikishan baton that immediately uplifts the mood.

Tumne pukara aur hum chale aayeRajkumar- There is the “it” factor in Rajkumar’s songs which makes you come back to it time and again. Hasrat Jaipuri’s opening phrase has long entered the realm of a ‘dictum’ or an ‘adage’ than being just a song lyric. The poetic flavor in the antaras stimulates the heart.

Ghungharwa mora chham chham baajeZindagi – There is nothing singular about Shankar Jaikishan’s music. It’s always layered. In this song the voice quality is impeccable but it’s the chham-chham that resonates throughout which thumps the hearbeat.

Chhoti si mulaqat pyaar ban gayiChhoti Si Mulaqat – The Ya ya yipee yipee makes you go yipee every time you hear the number !

Duniya isi ka naam duniya isi ko kahte hainDuniya -A thoughtful number reverbating some hard truths about the world and life. I like the number for its matter of fact approach in tuning and music.

Teen baje bola tha baj gaye charDuniyadari – A fun song on Asrani and Aruna Irani (IIRC) and sung by Asha Bhonsle and the still raw Amit Kumar. Keeps you swaying!

Baaton mein na taaloji dil de daalojiKanch Ki Deewar – All those who grew up watching Chitrahar will immediately recall this number from a little known 1986 film(one of the last few of Shankar’s). It used to be quite a staple then. Smita Patil and Sanjeev Kumar dance to this zesty ditty in a party (in the typically eighties garish costumes!) with Rajan Sippy trying to gain unnecessary attention. It’s quite sometime since I heard the number, but putting it here in the list for nostalgia’s sake!

Tum pyaar se dekho hum pyaar se dekhenSapno Ka Saudagar– Hema Malini’s debut film didn’t boast of very great music but there were a couple of songs that showed the same luminous aura which made Shankar Jaikishan a household name. This Sharda-Mukesh duet is one of them. A very neat and uncluttered song.

Sau baras ki zindagi se achche hain pyar ke do char dinSachai – This is what I call a cute romantic number!

Tum haseen main jawaan – Title Song – This laugh riot starring Dharmendra and Hema Malini (about a navy man with an unwanted toddler) had some interesting music (including Suman Kalyanpur’s solo Kamdev jaisi teri suratiya and Rafisaab’s Dil achcha hai achchi hai soorat).

Aaj kal tere mere pyar ke charcheBrahmchari- Now, is there anything to write on this super-duper-bumper hit of a song?Shankar Jaikishan won an award for this score!

Dil usse do jo jaan de deAndaz – Not very great, but still a good hummable number. Finds a mention on this list because Andaz had overall good music, if not matching up to the standards Shankar Jaikishan themselves built!

Chhatri na khol udd jaayegiDo Jhoot -Kishore Kumar and Usha Mangeshkar whip up a storm in this jovial song. Those who were Vividh Bharti regulars will recognize this number easily.

Tu mera din hai mai teri raat aaja har raat teri meri hogi mulaqat aaja (Choron ka maal sab chor kha gaye)Sanyasi -Ok I admit. I have a love for Sanyasi’s music bordering on obsession, right from my childhood. It’s simply impossible to describe but the music in this typically seventies melodrama is absolutely stunning, resonating and tickling. I know many would disagree. While the lion’s share is sung by Lata Mangeshkar, this duet is by Suman Kalyanpur (with Mukesh).

Related Reading – Shankar Jaikishan Expressions-1
Lata Mangeshkar Sings For Shankar Jaikishan
Whither Shankar Jaikishan?

*Statistics courtesy-Shankar Jaikishan Yahoo Group


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Comments

  1. Music treat is back. Like you said – Rajukmar had ‘it’ factor. All the songs were superb. I especially liked – “Is Rang Badalti Duniya Mein”(little music, you see 🙂 )

    Sanyasi – Nice songs, really. Tu Hai Bal Brhamachari Mai Hoon Kanya Kumari.

    Chhoti Si Mulqat – Ya Ya Yippie – Yes yes. I loved it too. Especially the way Rafi says “Galley” intead of “Galey”!

    Incidentally my cable is showing that Kanch Ki Diwar song quite regularly these days 🙂

    Nice list deepak.

  2. “Non- Lata Mangeshkar Duets” Hey what a conincident!!!!!

    I also made a small post (was there since long) on Non-Lata Mangeshkar duet (about a song) and already posted and will be there today afternoon.

    I will read this post later on. I know it’s going to be very nice post (as usual) 😀

    See ya 🙂

  3. Hi DJ, Enjoyed the post. Listened to most of the songs and missed ‘Chitrahar’. Most of the radio stations plays the same ‘aaj ka hit’. Or the oldies are chronologically of the same age or movie. Sure do need a station that mixes and gives a surprise with every song. Or may be theme…Just thinking.

  4. Manish- Bilkul sirji, GOLD aapka, and that too on a musical post, bhai wah! Thanks… and yes, i wish i could hear the Kanch Ki Deewar song again 🙂

    Juneli – Read it and will await your detailed comments…

    Vidya – I think the FM’s are too youth oriented to think of these songs. AIR FM GOLD does play old songs in between and can sometime throw up good surprises. Else, I am sure Vividh Bharti is still alive…

  5. O.K. Here I’m 🙂

    I’m too busy to give a detail comment :(.

    But one thing I want to say here that I also had same impression with the song “Dil apna aur preet parai…” and other song… “bahena ne bhai …”

    Many female singers – Sharda, Suman Kalyanpur, Vani Jayaram, Hemlata, Arati Mukharjee, Anuradha of course Alka came to give competition to Lata di but Suman Kalyanpur was best among them and closest to Lata di.

    It’s really a treat to read your post on music but I felt you have made this post in a hurry 😛

    Nice list :D.
    Your list made to go past….. reminded me many things… :). Keep it up 🙂

  6. Hey deepak….One glaring absence is the evergreen Mujhko Apne Gale Laga Lo Ae Mere Hamrahi…..!

  7. […] With HMV holding a treasure trove of music rights, the company has a formidable responsibility in educating the young generation about the values of the undoubtedly Golden Era of Hindi Film Music the fifties and the sixties. They have to go beyond just making quick bucks in releasing shoddily done up remixes (when they have the originals with them!). Till a few years up to his death, RD Burman was a lost entity, but the collective force of media, Ashaji and the music industry revived his memory a big way posthumously. Similar effort needs to be done for Shankar Jaikishan as well. The Golden Era of Music has to be informed and told to all. And in that, they have to rightfully return the crown to the shahanshahs of that time – Shankar Jaikishan! Related Readings – Shankar Jaikishan Expressions: Mukesh’s Sad SongsLataji Sings for Shankar Jaikishan – A List of My Favorite SongsShankar Jaikishan Expressions-2: Non-Lata Mangeshkar DuetTechnorati : Asha Bhonsle, Lata Mangeshkar, Mohd. Rafi, Mukesh, Shankar Jaikishan […]

  8. I do agree that S-J were unarguably the best. But,I have a grouse that there is a general feeling among all the music lovers that only Jaikishan was the composer of the duo. This misconception is due the fact that theS-J. music had declined after the death of J.But it is not true. on the contrary , Shankar was not only equal but was first amongst the equals.

  9. It is my considered opinion that wilful efforts have been made to belittle the greatness and memory of SHANKER JAIKISHAN.Today’s generation know so little about them.An impression is made that old music just consisted of the songs of OP NAYYAR and RD BURMAN.The great music of Barsar Aawara,Shri420.JIS DESH MEIN GANGA BAHATI HAI.Sangam.Mera naaam joker is attributed to Raj Kapoor’s choice of tunes and lyrics.The mind blowing songs and music of Jungli.JAANWAR.Boy Friend.Professor,An evening in Paris.Bhramachari etc. are attributed to flamboyance of Shammi Kapoor.even in his interviews Shammi Kapoor has not even once ackowledged the contribution of Shanker-Jaikishan’s music in his success.

  10. Dear All S-J Lovers,
    I don’t agree with the opinion of Mr. J. K. Mehta that people don’t know much about SHANKAR-JAIKISHAN’s contribution to HFM. In fact they are still known for their 9 times winning of filmfare awards, Padmashree, and two times President Awards (if I am not wrong). Apart from this they also won the awad of best music director for their debut, “BOOT POLISH” at Cannes Film fare, France.

  11. Mr.PK Gupta all got me wrong.My point was that in today’s scenario the names of Shankar Jaikishan have been pushed in the background.Their songs are ofcourse played but to the credit of the actors singing them on the screen.Modern generation knows so little about them and this exactly is what that pains me aa lot as I have been such a staunch follower of these legendary duo.No channel ever observs their birth or death anniversary.Their names are almost nonexistent for the GEN X.I wish some award is instituted in their names by FILMFARE or someone else which not only enhances the exellence in music but also let the people know that at one time such great music directors lived and composed great ‘immortal melodies.

  12. To all sj fans,it is true that greatness of sj being undermined and sadly they were not given the due importance despite their immense contribution to FM which took a great heights.Those who benefited with their music for success of their career are ignoring their role or avoiding to mention.even media is not paying much attention to the contribution of sj.It is the duty of every sj fan to bring their greatness to every music lover

  13. It gives me tremendous pleasure when I come across so many fans of the legendary hindi film music director duo Shankar Jaikishan.They will remain all time best music composers in Hindi Cinema.Their contribution to the music world is second to none.Though their songs are still played on various radio stations/tv channels, enough creit is not being given to them.They are the recepients of the maximum number of filmfare awards and hence it is for Film Fare to institute a suitable music awards in his name.All efforts should be made by all his fans to keep alive these maestros in the hearts of the new generation. Beginning can be made by informing about the artistic greatness of this duo to their children and then their relatives and friends.Gradually the efforts should be spread through other media.The fans of SJ should buy their CDs and play the same at home so that the children and the other listeners will eventually recognise and appreciate the true worth of this immortal duo.This is because normally everybody in the ultimate analysis will like sweet and hummable songs.If nothing is done in this direction the day is not far when the name of this genious will be found in archives.Let us do our best to prevent this eventuality.

  14. How can you miss

    Mujhko apne gale laga lo Film Humrahi One of the 5 best duets composed by SJ

    and
    Itna hai tumse Pyar
    Kaise samjhaoon
    O ek bar ata hai gems from Suraj

  15. suman kalyanpur one of my favourite singer pata nahi ku music director lata ji ke hi peeche bhagte rahe or suman ji ki andekhi kar di ..itni achi awaaj ki malika ko waiste kar diya ye hamare liye durbhagya ki baat he but suman kalyanpur ji ne jitne bhi gaane gaye sab ek se badkar ek he gems. suman kalyanpur ji u r great singer of hindi cinema.

  16. Thanks for your message, Suhani. But my views differ. Lata Didi is way above Suman K and I guess that’s why composers chose Latadi. Just my views.

  17. shankar jaikishan were the king of kings among music directors of golden era they were popular all over the world their songs are liked by the modern generation the modern generation is very much familiar with the name of shankar jaikishan who is unaware about the dashing personality of the great jaikishan both shankar and jaikishan were very well talented in a function young generation were dancing on the tunes of sj like jan pehchan ho aai aai aa suku suku savere wali gadi se chale jayege andaz mera mastana yeih chand aur sitare aajkal tere mere pyar ke charche and many many more they know very well about the popularity of shankar jaikishan those who love soulful music will definately love shankar jaikishan.

  18. SJ is the Greatest and unparalleled.No one can reach him and Modan Mohan is the Melody Sahenshah.

  19. Shankar jaikishan ruled the era of 50 and sixties no other music director was near to them in popularity they were popular not even in india but other countries like Russia Japan Greece and even in usa once s.d burman narrated the story of their popularity in Russia music director Naushad called them the magicians we have read at so many magzines that jaikishan was enjoying the status of superstar. once md pyrelal said in an interview that no body can touch the heights of the greats shankar jaikishan in fact laxmikant pyrelal continued the orchatration style of shankar jaikishan and gave many superhits tunes shankar jaikishan will remain in the hearts of music lovers through their numberless melodies