Random Expressions

With the year almost to an end, there aren’t many biggies lined up for the winter. Due to lack of anything else interesting happening with me lately, I decided to pre-pone this list to now.

So, here we go…with the movies I enjoyed watching this year, in no particular order, barring the first one:

Lage Raho Munnabhai - I guess it is not too difficult to guess why this film takes the top position. Raj Kumar Hirani has brought back the charmingly simple style of Hrishida movies, moulded it to the modern context, weaved in a thoughtful message and created a masterpiece that is magnificently delightful and cozily dreamy.

Krrish - Agreed as a Super-man sort of film, it sagged severely, especially in the middle. Yet I feel it was a very valiant effort by the Roshans - and one that was fairly entertaining, even though one might feel cheated about the low screen time given to the super-hero. In addition, bringing in Rohit (from the prequel Koi Mil Gaya) was a terrific twist (and a well guarded secret).

Fanaa - This film received a lot of flak, yet with every passing bad review it seemed to have added one more zero in the producer’s bank account. I saw it again - twice over. And each time, I found the movie endearing, especially its sensitively handled second half. Moreover, I loved its graceful pace. Kajol’s presence gave it the requisite fillip to make it reach this list!

Malaamal Weekly - This year’s darkest horse - I dont think even Priyadarshan had imagined it would be clear cut hit. But one view of the movie, it is not difficult to fathom why. The movie is unpretentiously entertaining; and whatever it’s foreign sources be (for the story), in the end, it delivers a hilarious package that makes it ‘paisa vasool’. Om Puri and Paresh Rawal give a splendid performance.

Corporate - Ok, this one is not upto Page 3′s level, but I found Madhur Bhandarkar’s attempt to show the ruthlessly cut-throat corporate world very engrossing. There were some subtle moments that looked straight from the offices I have worked in.

36 China Town - Blame it on my soft-corner for whodunnits, Akshaye Khanna’s performances and Abbas Mustan’s taut directions, to place this film here. The comedy track was good, even though the mystery per se wasnt. And for once, I found Shahid and Kareena bearable together.

Pyaar Ke Side Effects / Khosla Ka Ghosla - It’s quite a tie here, since both are essentially similar conceptually - interesting storyline, modern style, comic, small budget and essentially more enjoyable at home than in theaters.

Of the two, Khosla Ka Ghosla is superior. Anupam Kher and Boman Irani give a rock-solid performance. The plot is more intricate than PKSE, and its presented in such a way that at one point you feel like thinking - yeah, this can happen too!

Amongst these low-budget ‘multiplex movies’ Bas Ek Pal barely missed entering the list, primarily because of its utterly shoddy denouement. It’s as if the director had this brilliant concept, but just didnt know how to take it forward.

Dor / Yun Hota Kya Hota - Again I am clubbing the two because of some obvious similarities - they were made with small budgets, had serious undertones, displayed human sensitivity, demonstrated some wonderful acting, were more character-driven than story-centric and brought out the best in Ayesha Takia! Yes, this girl surely has it in her to race ahead past her rivals where acting is concerned, and come to think of it, she is quite a looker as well. In Dor, she holds the film together with her fragile hands. The film is a strong feminist statement, often irreverent in its social messags, and yet without hammering the message unnecessarily. Another masterpiece from Nagesh Kukunnoor.

My standing ovation to Naseerudin Shah for Yun Hota Toh Kya Hota - four different lives merge towards one shattering climax. But the film’s real power lies in the presentation of each story - you feel the reality in every emotional strand of each character. Once again, Konkona delights!

Golmaal / Tom Dick And Harry / Phir Hera Pheri- For their zany slapstick humor; remove your brains and just indulge in pure paagalpan, with dollops of double entendres (in the first two) and eye-catching visuals. Perhaps I am the only person who found Hera Pheri ordinary, and the sequel far superior!

Vivaah - The critics screamed ‘regressive’ and rejected it, the masses yelled ‘traditional’ and embraced it. End result? The film is this year’s biggest surprise success. In between, the confused multiplex audience simply squirmed in discomfort looking back at stuff that they would have given the thumbs up only a few years back! Personally, I loved the movie as it gave a very warm feeling which is otherwise lacking in the normal world. Moreover, it managed to moisten the eyes towards it climax. Sooraj Barjatya returned to his traditional roots after his warped modern outing in Mai Prem Ki Deewani Hoon, and it was a handsome comeback. Though it lacked a fulsome family/friends scenario as seen in HAHK and Hum Saath Saath Hain, still all the key Barjatya ingredients were available - family outings and functions, shy romance, a bit of ched-chhad , a slice of negativity (that gets conquered eventually)- and, ‘deals’ with ‘foreign collaborators’ that would establish the young hero in business! Amrita Rao looked bashfully ravishing ( I have yet to see someone so beautiful in Mathura, although one can sight even Chhotis there). Though one missed Salman’s presence, Shahid fitted the bill well. And, as a busy but benign brother, Sameer Soni effectively stepped into the shoes of Mohnish Bahl (who made a small appearance towards the end).

The film is additionaly special because it was the first movie I saw in Agra at the newly opened Fun Cinemas Multiplex.

The ‘Theek Thaak’ Films List:

Hum Ko Deewana Kar Gaye - Raj Kanwar’s attempt to do a Yash Chopra was redeemed by Katrina’s refreshing and effervescent presence; and her on-screen chemistry with Akshay Kumar rocked. Beyond that, the film was just an average time-pass. The music was above average, though.

Jaan - E - Mann - The film had everything going for it - huge star cast, lavish production, decent music and a tried-and-tested love triangle formula. Yet, Shirish Kunder couldnt just pull it off. The end result was an inordinately long and tedious film. If it doesn’t enter my ‘hall of shame’ , it’s only due to the actors, music and Anupam Kher’s comedy.

Omkara - Vishal’s attempt to re-do Othello was brave, but it lacked the punch that his previous film Maqbool did. Partly because Othello is not a very strong play as such. Partly also because of wrong casting - neither is Kareena a woman to die for, nor is Vivek a man to be jealous of. The film fell flat! Frankly, I am tired of Ajay’s dour look passed off as ‘acting’.

Ahista Ahista - A sweet romance set in the backdrop of Old Delhi. Soha Ali and Abhay Deol breathed life into their portrayals of people brought together under unusual circumstances, grappling to find meaning within their relationship. The film was shorn off any extraneous glamour and forwarded the story in lavishly languid pace. Only, it lacked the lavishness in its production. Himesh’s music was a bore and didnt gel with the story.

Dil Diya Hai - Ok, I saw it in sheer boredom. But still I feel the film deserved more eyeballs than what it received. Director Aditya (Ashiq Banaya Aapne) Dutt took hold off a ‘different’ story altogether - so different that it ended up looking bizarre. Still, there was enough panache to keep viewers interest. Himesh’s ‘Jab se aankh ladi tere naal’ was good.

Gangster - The songs were good (and majority copied), the movie had good moments, but overall it was just okayish. Emraan Hashmi was damn irritating. And Kangana Ranaut’s diction was horrible (hope she has worked on this now). The movie was neither hard-hitting nor thought-provoking. It ended up being a depressing and whining account without much sunshine.

Anthony Kaun Hai - The film was quite stylized and Arshad Warsi gave a credible performance - not moving too far off from his Munnabhai image, yet not being restricted within it. Having missed Yahan, and not impressed by her miniscule role in Corporate, this film was my revelation of Minisha Lamba - she came across bubbly and vivacious , and at times reminded me of Priety Zinta from her Dil Se days.

The Killer - Compared to Gangster, this was a better attempt (or, let’s say, a better rip-off). The sharp and suave Irrfan Khan and the bumbling and bleating Emraan complemented each other. Personally, I found Killer’s music better than Gangster.

Baabul - There was something grossly missing in the film, which couldnt shuttle the sensitive theme to the higher orbit where one can raise the hands in ecstacy. Neither does the joyful first half raise hearty chuckles, nor does the sad second part wring tears from your eyes. In short, very average film. Strangely, for a film that deals with widow-remarriage, the biggest disconnect is that the widows character just doesn’t simmer with that deadly loss she has to undergo. Perhaps, Ravi Chopra should have toned down the gloss, and worked more on emotions. Of course, it is absolutely delightful to watch Amitabh Bachhan’s performance. Rani is good, but I fear there is a repetitiveness creeping in. Hema Malini defies age, and becomes more beautiful with each passing year. In this movie, her role is on the side-lines, hence the chemistry seen between AB and her (as seen in Baghbaan ) is quite lacking.

Dhoom -2 - This was the most awaited movie, and a decided bumper-hit even before it hit the theaters. To this, there was the masala over Hritik-Ash’s kiss that was splashed over several news channels. My views? Yes, the action is great, the thefts more daring, the look splendid, the sound design awesome, the chases breath-taking; yet, overall it just doesnt add up. The film simply overdoes it - and spoils the entire spontaneous fun that one had while watching the prequel. So much time is spent on the villain, and his emotions, that Abhishek Bachhan (and family) should have worried more on his wimp-like role than Ash’s bewafaai due to the kiss (which is nothing much, and would have ordinarily gone unnoticed but for the lead pair involved). Which also brings in the more pricky question about today’s morality - why are villains getting shinier and brighter, so much so that when Hritik and Abhi have a face-off at the cliff, inthe climax, one almost wants the thief to win! (At least, in this film, there is some redemption, but in Don, even that is not given- which was not the case even in the angst-ridden, anti-hero studded seventies, when the original film was released.) The music was bad. And can someone tell me what Bipasha Basu was doing in this film -either as the cop, or as the Brazilian beauty!

The ‘Undecided List’ - As ever I have a couple of movies, that are so larger-than-life, that slotting them in any list doesnt work. So, I call them an undecided list, or rather an ‘extension’ of the ‘theek-thaak list’. This year, there are two such big films:

Umraao Jaan- Ok, the movie was way off the mark, especially in its authenticity. Agreed, Abhishek Bachchan looked bored and tired. Yes, Aishwarya Rai couldnt measure up to Rekha’s performance in the eighties version (Frankly, no one expected Aish to do so). So, why in this list, and not in the bad ones! Simply because, like when everything is right and the film doesnt do good, same is the reverse true - individually, everything is wrong, yet in entirety the film was quite watchable and didnt overtly bore me or make me run for the fast forward button. Thus, it’s here in the ‘theek-thaak’ list.

Don - Thank you Moon Cable and Sony, for showing the original days after the release of the newer version - you only helped me revive strong childhood memories associated with the older film; Amitabh Bachchan rocked in that film! The new version is suitably upgraded, with twists added, but wher ethe main character is concerned, sorry SRK, howsoever much I like you, AB’s Don was way way ahead of you. The only reason I am undecided and not immediately slotted it inthe ‘Hall of Shame’ is the immense praise that I have read about the film - so , I want to see it again and decide then, and I’ll watch it after some months, when the effect of AB’s superlative performance has worn off.

This is my list. So what’s yours?

Updated on 27.12.2006

Four films that I should have mentioned but missed out in the ‘theek thaak’ list are:

Taxi No. 9211 - A fairly entertaining and racy film by Milan Luthria. The story takes place in a day, and holds the audience attention. The short length was an added advantage.

Being Cyrus - A dark film made using the neo-modern grammar of film making. The film had a few good high points, including an interesting performance by Saif Ali Khan. However, sadly, Dimple disappointed with her hyper-act.

Zinda - Brutal and blunt, the film didnt bore, though of course it made you wince several imes during the show. Full review here.

Kalyug - Quite an insightful and interesting film. Kaushie did a nice review - read here.

Updated on 28.12.06

Kabul Express - Will go under ‘Movies That I Enjoyed’ - a new subject, a good treatment, and some delectable cinematography makes the film a winner.

Bhagam Bhaag - Will go under ‘Theek thaak list’ - masti with mystery, the film has all the Priyadarshan elements. Funny at places, a no-holds barred climax, and good acting by all. However, what it lacks is that punch which made Hungama a re-watchable film anytime. Wonder if Priyadarshan is losing his touch, or is the prolificity getting him!

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This entry was posted on Sunday, December 17th, 2006 at 4:00 pm and is filed under Films. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.