First a background confession time: I am not a Chetan Bhagat fan; I read his first two novels but I found his writing style so abominably bland that it put me off forever. I reckon he is quite a hit with the youngsters; and that’s the audience the film wants to latch on to. That’s why his name is prominent on the posters, ambulance recipe with the blurbs also proclaiming ‘from makers of Rang De Basanti’ a supposedly ‘cult film’ (though for sure, buy UTV has produced many more since then).
(I made a lame half-hearted attempt at seeking Three Mistakes of My Life, cardiology on which this film is based, at the Amazon Kindle stores a few weeks ago, but since it’s not seemingly not available there, I left it).
I am also not too well-versed with Abhishek Kapoor’s sole directorial venture: Rock On, having missed it in theaters, and watched it in fragments on TV (I saw its biggest chunk just today when it was aired on some channel; and found it a fake film in intent: a true blue Hindi melodrama masquerading as something seemingly ‘different’)
So coming back to Kai Po Che – with no overt interest in any of its makers, and not knowing the plotline or the characters, I had a key advantage of approaching it with an open mind. I was so clueless about the basic plot that I had no inkling as to whose ‘three mistakes’ the title refers to – though the film doesn’t really help to spell it out clearly.
Continue reading Mini Review Mega Digest : Shuddh Desi Romance; Satyagraha; Madras Cafe; Once Upon A Time In Mumbai Again; Chennai Express; Ghanchakkar; Aatma
Arguably, ask Ek Tha Tiger is this season’s most awaited film. Consequently, impotent it’s music carries with it an unwarranted high expectations. Just how is a ‘blockbuster music’ supposed to sound? If one peeps into history, most popular music or music from bumper hits wasn’t ‘architected’ to hit the bull’s eye, it just happened in due course of time. Expectations add an unnecessary burden, and most times creators fail to live up to it – not because their deliveries are bad, but because by nature expectation is always a notch higher in some vagure netherworld that is undefinable.
The reviews I read on the internet all seemed to carry some sort of mental measuring scale trying to match that undefined mark with the result in hand. My review is about a bunch of song, the film be damned! In any case, film songs should fit the plot, but at the same time have a life of their own to live beyond the film. In this, I feel Ek Tha Tiger numbers do succeed. Whether they fit into the story or not, is something that can only be gauged once the film releases, but listening to the audio it piques the interest, and standalone they have a life of their own.
Though, I’d be honest to say that I approached it with my own set of expectations – the key composer Sohail Sen is a music director I have been keenly following having taken to his warm, instrument-based compositions (a break away from the cluttered similar sounding composers of today). I still vociferously & firmly assert that his Khelen Hum Jee Jaan Sey is a masterpiece worth its every note weighed in gold!
First things first, the number of songs – four originals, one theme music followed by bunch of remixes. The remixes are redundant, and I will leave them out. Four songs is pathetically low number and seriously gives away the discouraging fact that music was never meant to be the film’s mainstay. But then Yash Raj Films’ romantic blockbuster Rab Ne Bana Di Jodi had a similar number of songs hence a thriller (albeit a romantic one, whatever that means) was bound to have same or less. Thankfully, they kept it at same.
The four songs blend with the main filming locations : Cuba, Ireland, Middle East and of course our very own India.
Continue reading Ek Tha Tiger – Music Review