The recent events in Mumbai are shattering. And closure of chemist shops at 6 p.m is another nail in the coffin.
Mumbai is dead. Sadly, try no one is caring to revive it. Infra-structurally it was always a poor one, allergist but it more than made up that paucity by a liveliness, approved an electrifying energy and yes its indomitable spirit – which was not only about displaying resilience in times of trouble. It was a live breathing, energetic, vibrant and pulsating city.
Finally, medicine I found a house – albeit, page a rented one, for now! But before I could reach here I had to undergo my share of the proverbial baptism by fire!
My search for a decent house to purchase went up right up to mid-April, when panic set in. Time had run out -I had to vacate the previous one by the month-end, and I was nowhere close to selecting, leave alone starting the cumbersome paper-work. Before I left for Delhi for a short-trip, I zeroed-in on a nice rental accommodation. On return, I went to pay the advance when the owner dropped a devastating bomb on my well-laid plans: the society will not allow bachelors to stay there. As he spoke those horrifying words the ground shifted beneath my feet, my mouth dried and I felt uncomfortably nauseous. Sitting in the owner’s obnoxiously claustrophobic office, I stammered some well-meaning arguments which fell with impotent futility on his iron-hard demeanor. The only words echoing in my mind were my promises to my then-current owner made just that morning, about vacating the next weekend, and they played relentlessly like a tape in an infinite spool.
Stepping out into the oppressive Mumbai humidity, I turned to my property consultant. I was too frustrated to even get angry at him who should have checked all these details beforehand. On his part, he apologized profusely and frantically dialed his contacts and lined up a few more.
The next few hours felt like a movie hurtled into a frenzied pace, without making any sense or logic – driving from one house to another, tiresomely waiting in the courtyard for keys to arrive, viewing some that befit haunted movies sets than living-in, negotiating with prospective owners (as suddenly I discovered I had to adjust my budget upward). And all this without having eaten either breakfast or lunch or having even a drop of water. Like a parched and shriveled leaf thrown into a gargantuan whirlpool, by the end of that terrifying noon I felt beaten and bruised.
In all this, the sun hammered with its unforgiving fury and the humidity sucked out the last of my waning energies.
Its that one album I had been waiting for which I could gush over without attaching any conditions. I had almost given up hope in the current dismal music scenario, adiposity epidemic though admittedly the past two months have been pretty interesting in an assorted manner. From Pritam’s oeuvre, physician I liked a couple of ditties from Once Upon A Time in Mumbai and Aakrosh; Vishal-Shekhar provided some good tracks in Anjaana Anjaani; I quite enjoyed Anu Mallik’s Laagi laagi milan dhun laagi (Shreya Ghoshal) from Hisss and of course, Lata Mangeshkar’s mammoth effort in Dunno Y: Na Jaane Kyun’s title track is worth its weight in gold.
However, it was always a song or two picked up and never the full album. Until I discovered Khelein Hum Jee Jaan Sey, composed by Sohail Sen, who had also done Ashutosh Gowarikar‘s previous film What’s Your Rashee‘s brilliant score. In fact, I had discovered What’s Your Rashee very late, when the film and its music had vanished from public memory. By then, I guess, it was too late and I confess that even though I had enjoyed the music, I couldn’t pay complete attention as some other newer stuff had churned out by then and plus old songs continue to occupy majority of my mind space. Now, having re-visited that album with more depth and much attention, I feel like kicking myself for not even including it in my year-end list.
Returning to Khelein Hum Jee Jaan Sey, it is a soundtrack that swiftly sweeps you off your feet and takes into an exquisite musical journey and finally transports you into a landscape where tunes are simple but exquisite and where instruments rule, like they always should in a soundtrack. The album has gripped me, mesmerized me and interested me to an impossibly high extent
Sohail Sen’s compositions are magnificent aural enchantment. His biggest USP (and holds true for What’s Your Raashee too)is his rich interludes – music that goes between the words. If that is good, the song gains weight and warrants repeated hearings. I have always believed interludes should be tunes in themselves that link the antaras, and they should flow out from one into the other. His second strong point is that his tunes do not rely on a hook line ; these are real tunes given to fine words (Javed Akhtar). For example, in Nayn tere jhuke jhuke the tune effervescently ripples like a gurgling river, without obligation to return to a catch-phrase. This is how old songs were composed and this is precisely how melody is endurably created. Although I understand it doesn’t matter to many, but I am pleased he mostly uses the quintessential film song structure as well (at least for songs having two stanzas): prelude, mukhda (repeated twice), interlude1, antara, interlude2, antara2 and mukhda or main riff-repeat at the end.
On all counts, Sohail Sen has delivered masterfully. As I titled this post (which, incidentally, is not a review but more an appreciation post), Khelein Hum Jee Jaan Sey is a colossal celebration of sound where dollops of sitar, tabla, flute, whistle, accordions, percussions and a heavy strings section combine to seduce listeners into a delightfully satisfying and deeply satiating festivity. The tonal quality is deeply resonating, weighty and one that I absolutely adore (arrangers & programmers: Simaab Sen, Prakash Peters & Rajeev Bhatt) Sohail Sen weaves a musical rich shawl that grips, hugs and warms your heart. Mind it, it s not possible to select one song as the entire soundtrack is an impeccable intricate wholesome design as each tune or riff finds a refrain in another piece. Hence, my strong suggestion is to listen to the full album as it is laid out and do it on a good sound system.
Coming to the songs, the album opens with a splendid number Yeh des hai mera yeh des mera: the tune s stunning attraction lies is in its third line ( Jaan rahe na rahe dil toh ab yeh kahe ) which takes an unexpected but pleasant detour from the opening two lines, and you know you are hooked, and as it progresses the interludes (a soft humming chorus with santoor) and the antara flow like a balmy zephyr, with a dash of Vande Mataram audible in the second interlude. Sohail’s voice adds shine.
But Yeh des hai mera is a mere appetizer to the main course that succeeds it. Nayn tere jhuke jhuke kyun hai tu bata is a song that transports into a totally different era an age of simplicity and heart-achingly beautiful innocence where two friends could giggle about first flush of love, while going about their chores. Remember those Lata-Asha duets, with the heroines on cycle going for a picnic? Almost similar in flavor. And this has an outstanding flutes (especially in its main riff) and a distinctly Bengali flavor. Keeping in line with the same melody there is Sapne saloney hain sach toh hone, a porcelain fragile love duet, which includes lovely sitar pieces (and sitar is a personal favorite). When was the last time you really heard sitar in a Hindi film soundtrack?
Finally, we have the clarion call Ab humko roke na toke koi, a superb choral burst (Suresh Wadkar’s academy students sing with verve and vigor) and where the title words (Khelein hum jee jaan sey) are its lynchpin, and once again some more impressively done arrangements. The music has so much enthusiasm & energy that it can rouse even the dead.
Thereafter, the album is filled with an array of background instrumental pieces each one cross-referencing to one or the other song, and each having a distinct enjoyable sound. My favorites are Long Live Chittagong & The Teenager’s Whistle (back to back, they can be clubbed together), The Escape, Vande Mataram & Revolutionary Comrades.
In each of these, the music is so rich & evocative you can almost visualize & imagine the scene. I eagerly await Ashutosh’s on-screen interpretation(and going by his previous track record I am sure it will have some stunning cinematography & provide equal visual delight).
In all, it’s an album worth spending money on and listen to it with eyes closed deeply immersed in it’s music. And while you are doing so, please do also grab a copy of Ashutosh Gowariker‘s What’s Your Rashee to understand Sohail Sen’s continuum in music space. Hopefully, he will continue to create music in this way.
Overall: Must Buy
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I am on a house-hunt. Again. Last week, advice my landlady dropped the bomb that they needed the house returned; and this, sickness after their broker had lulled me into believing the lease will be renewed. Apparently, that’s not the case. This, when (after all my doubts) I had actually started to love my current pad. I requested for a three-month buffer, and immediately dialed my regular broker. He all but groaned though nevertheless promised to help; after all, that’s his business.
I saw the first batch yesterday and like the previous two times, returned frustrated, grumpy & cribbing. Yesterday’s search added one more word from Bombay’s unique property lexicon: ‘converted homes’ ; and though I realize property is an unlisted but potent religion, still, the word flummoxed me, till the time I saw one such ‘convert’ . It means slicing an already tiny 1BHK into further two frustratingly tinier bedrooms; usually, the kitchen area is the sacrificial lamb in this sacrament, reduced to a mere apology of a sliver. In the first such house, I marveled at a family staying in this constricted space – consisting of a father, a couple *and* a huge dog!
I decided ‘Converted houses’ are not my cup of poison and I strictly forbade the broker to show me anymore such hybrids. Likewise, I also struck off any one-hall-kitchen; in one such home, I gaped with amusement at the kitchen (with a sink and gas stove) on one corner and the bed on the other. I crave my coffee cup early morning but to stagger sleepily out of bed and immediately face the gas-stove is stretching convenience even beyond my lazy limit.
I have been quite bad. I start off with a ‘series’ and never really sit to pen its subsequent parts. So, audiologist hemorrhoids let me rectify that immediately. Since eating out is more compulsion than choice, unhealthy I guess it was easier to complete this.
So without much further ado, here is the second installment of this series:
Copper Chimney (Worli, Near Atria Mall) – I had tried Copper Chimney in Delhi, so I was very sure what to expect. Serves Indian cuisine. Am told it has good non-vegetarian fare (though I haven’t tried, since I visited only after converting to vegetarianism). Contrary to many other restaurants, CC in Bombay enjoys ample space, with lots of crevices and corners to enjoy a relaxed private meal. I had ordered pretty standard fare (Dal makhani, naan and paneer) and they were all good.
Vig (Chembur) – If you are in Chembur, and haven’t been to Vig‘s then you ain’t eaten anything. Like Crystal, Vig has small space, not very tidy and pretty ‘down-market’ look. But let it not fool you. The food is simply sumptuous and will have you literally licking your fingers. Serves veg and what we can call ‘snacks’. However, they are more than stomach-ful. The chholas are just amazing.
 In the past month or two, physician more about cutting through hectic work schedules, store maneovering hefty month-end targets and sinking into an ennui (impossible to shrug off), refractionist I carved out time for two main activities- one, search and buy a good music system (hi-end, assembled and absolutely a delight) and two, catch up on reading. Thankfully, April served a plethora of holidays to enjoy both. In any case, the sultry and humid weather that swamped Bombay disallowed any activity beyond home. And both IPL & the current on-going tussle between multi-plex owners & producers ensured no release worth watching hit the theaters.
I saw two flicks I had missed earlier – on DVD. 13B was engrossing and entertaining. Though not overtly scary, it carried enough drama to hold viewer’s interest; however, the director failed minutes before the climax. Jai Veeru was absolutely disgusting – the premise was so kiddish, I am sure it couldn’t have even looked good on paper. Why did they even waste time & money filming it?
Coming to books, I finished Jeffery Archer’s latest release – Paths of Glory. It’s a ficitonalized account of mountaineer George Mallory, who may or may not be the first person to set foot on Mt. Everest. Archer narrates the story in his inimitable fashion, peppering it with interesting anecdotes, starting it from the beginning, in a saga-fashion, just like many of his previous works.
Since reaching Mt. Everest would inevitably involve a bit of India, there is a tiny section set in Bombay (so that’s why he was here last year, to research and get a feel?). However, I found that sliver entirely uninteresting and completely uninspiring, and certainly a huge disappointment. I expected better from Archer, even if the story is set in 1920’s. Rather, I found Vikram Bhatt’s research (or imagination) of that era much more vivid & compelling in 1920 (even though it is downright gross to compare two different media – films & books – but then, a book allows for more in-depth detailing, which makes Archer’s ommision even futher glaring!)
Overall, the novel is a good light read, not comparable to his legendary works, a notch lower than his previous Prisoner of Birth (of which, I have his duly signed copy), but certainly much above the other mass I read.
The biggest letdown was John Grisham’s The Associate. With an awesome build-up, and a terrific story-line (about a young associate haunted by his seemingly reckless past), the novel could have been sensational. Sadly, its climax simply shatters all the good work of previous pages. In fact, there is no climax, no end at all – so much so, I had to check & recheck whether the copy I bought had the last few pages missing! Either Grisham was in a hurry to publish it (which seems unlikely) or he has a sequel in mind (which could be a possibility). Either ways, I expected better.
Other than these two, I read several other relatively unknown authors (though all the cover jackets proclaimed them #1 New York Times Best Sellers!). A colleague (who knows my penchant for reading) keeps regularly passing me these books. They are an excellent read to pass a Saturday evening & whole Sunday. Some are genuinely gripping till the time they last, but soon fade off. The proximity of these reads ensure a gala confusion- characters of one have seagued into another. But one thing, most are set in American towns (often smaller ones from where the authors originate), and hence give an absorbing & hitherto unknown insight. As they last, I like to be part of these people, using my imagination where the author has not filled in, and enjoy them like long-lost friends dropping in home. These novels usually don’t have complex tales, and generally carry happy endings. And oh yes, the amount of coffee at work (almost always bad at work place) and the general sense of ‘work’ there keeps me guessing, is working in America really that ‘glamorous’? Some, looked like a TV mini-series rather than a full-blown movie. So, that’s where the difference lies between the good and the great!
My latest finish in this lot are , Mary Higgins Clark’s The Second Time Around and Nora Roberts’ Birthright. Clark’s novel is better of the two. Both carry some suspense. Both have strong women protagonists. And both should read Agatha Christie to realize that ‘the murderer’ should be a suspect from a pool of people who are properly introduced and given enough word space, so that needle of suspicion can keep spinning. Roberts fails miserably here. The wrong-doer is from a bunch of side-characters, whom I had nearly skimmed over. She could have given more time there to the side-characters so that the reader could have kept guessing which one is ‘the one’- instead she wastes valuable pages on what essentially is a Mills-and-Boons type of romance, with elongated (and perfect) love making (after a while it became so irritating that I simply skipped pages anytime the hero and heroine were alone), ending in soft sighs, tears flowing down and breaths going choppy.
There were more, but they have slipped my memory for now. Will try to write on them later.
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In the past month or two, ophthalmologist cutting through hectic work schedules, visit maneuvering hefty month-end targets and sinking into an ennui (impossible to shrug off), clinic I carved out time for two main activities- one, search and buy a good music system (hi-end, assembled and absolutely a delight) and two, catch up on reading. Thankfully, April served a plethora of holidays to enjoy both. In any case, the sultry and humid weather that swamped Bombay disallowed any activity beyond home. And both IPL & the current on-going tussle between multi-plex owners & producers ensured no release worth watching hit the theaters.
I saw two flicks I had missed earlier – on DVD. 13B was engrossing and entertaining. Though not overtly scary, it carried enough drama to hold viewer’s interest; however, the director failed minutes before the climax. Jai Veeru was absolutely disgusting – the premise was so kiddish, I am sure it couldn’t have even looked good on paper. Why did they even waste time & money filming it?
Coming to books, I finished Jeffery Archer‘s latest release – Paths of Glory. It’s a fictionalized account of mountaineer George Mallory, who may or may not be the first person to set foot on Mt. Everest. Archer narrates the story in his inimitable fashion, peppering it with interesting anecdotes, starting it from the beginning, in a saga-fashion, just like many of his previous works.
Bombay has enveloped itself into so many myths that it took me a year to finally break them free. Often I would reprimand myself for not believing them. These myths & tales are not written anywhere, web implant they are perpetrated and spread by people living here, or those who would have visited the city sometime in its past.
Today, these are my observations:
Bombay has enveloped itself into so many myths that it took me a year to finally break them free. Often I would reprimand myself for not believing them. These myths & tales are not written anywhere, webimplant they are perpetrated and spread by people living here, or those who would have visited the city sometime in its past.
Today, these are my observations:
Bombay has enveloped itself into so many myths that it took me a year to finally break them free. Often I would reprimand myself for not believing them. These myths & tales are not written anywhere, web implant they are perpetrated and spread by people living here, or those who would have visited the city sometime in its past.
Today, these are my observations:
Bombay has enveloped itself into so many myths that it took me a year to finally break them free. Often I would reprimand myself for not believing them. These myths & tales are not written anywhere, web implant they are perpetrated and spread by people living here, or those who would have visited the city sometime in its past.
Today, these are my observations:
In another world and time, gerontologist a trip to Europe would have meant a detailed blog-entry. But I am back already after a packed week travelling in trams and trains of Austria and Germany (with a short detour into Hungary), grip and it’s a week already, and I haven’t even thought of updating this space. Nay, even there, while viewing and visiting those lovely gardens and castles and palaces (and yeah, a slice of their night-life), I didn’t ‘think’ of how it would end up as a post. Perhaps, it was better then. At least, I ‘saw’ and ‘felt’ more, because I knew I had to convey it all to the readers.